"When it comes to card magic at the dawn of the twenty-first century, it’s the Spaniards’ world, and we just live in it. ... Woody Aragón is an innovative thinker about card magic, deeply influenced by his mentor Tamariz, but like a number of these creative acolytes, he has developed a substantial body of original work, and is an accomplished performer in live venues and on television in his native Spain."
Canasta’s approach was startlingly original and so ahead of its time as to render him the subject of widespread criticism within the magic world by those who didn’t get it—and it would take another half century before they would. This didn’t have much of an impact on Canasta’s success...
When Bill Larsen wrote about him in a cover feature of Genii magazine in 1975, he began with this: “If my readers were asked to name the top ten close-up magicians in the world today, it is quite possible the at the name Jimmy Grippo would not be included. However, this same Jimmy Grippo probably comes close to heading the list (or possibly heads the list) but because he keeps a low profile, many magicians around the country do not know of him.”
"...in addition to being a great performer, Fantasio was an extraordinary and innovative inventor. His original effects with canes and candles, that appeared, disappeared, changed places and changed colors, became among the very best selling items for silent and manipulative stage acts, and influenced countless magicians who strove to follow in the maestro’s steps."
J.C. Wagner was a wonderful magician and a skilled and creative sleight-of-hand performer. Like most professional close-up performers, he was no household name, he wasn’t much known beyond the community of magic. But his life amounted to a stellar conjuring resumé ...
To say that Billy McComb was a beloved figure is a failure of language and imagination. Throughout the world of magic, on multiple continents, he was adored.
Jerry Andrus was as brilliant as he was eccentric—which is saying something—in fact, saying quite a lot.
One simply cannot exaggerate Jay Marshall’s success as a performer, and the lengthy list of top venues he performed at over many decades. But it’s also true that this is only a part of his story...
"...one of the most extraordinary performers I’ve ever known, and amid magicians of my generation, he had few equals and no better."
This is in fact a set of two books, written by Mike Caveney, and issued together as a package. ... They comprise a record of his entire body of work as a performer—his creative performing legacy—and deliver an invaluable and timeless collection for present and future generations of magic and magicians. And they are a joy to read.