J.C. Wagner was a wonderful magician and a skilled and creative sleight-of-hand performer. Like most professional close-up performers, he was no household name, he wasn’t much known beyond the community of magic. But his life amounted to a stellar conjuring resumé ...
BY JAMY IAN SWISS | Welcome to Take Two. Every Friday I'll be posting a pair of magic performance videos, accompanied by commentary—in essence a projection of curation—with a goal to pen 52 posts. I encourage non-magicians to enjoy these clips along with the magic community, as I intend to avoid outright discussion of methods. All this is subject to some adjustment over time and experience, but these are the goals at the start.
To say that Billy McComb was a beloved figure is a failure of language and imagination. Throughout the world of magic, on multiple continents, he was adored.
At the age of nine, he lost his right hand as the result of a car accident. Rather than dissuading him from his pursuit of magic, it may have served to motivate and elevate his passion...
Jerry Andrus was as brilliant as he was eccentric—which is saying something—in fact, saying quite a lot.
One simply cannot exaggerate Jay Marshall’s success as a performer, and the lengthy list of top venues he performed at over many decades. But it’s also true that this is only a part of his story...
"...one of the most extraordinary performers I’ve ever known, and amid magicians of my generation, he had few equals and no better."
"...this week I would like to present to you the one silent manipulative magic act that is considered by many in the world of magic to be the single greatest such act of all time..."
"I once saw him pick up a kid from the audience, wrap him around his neck, and, as he made his wsay back to the stage thus decorated, declare, 'Act like a mink!'”
"Truly he was one of the wisest and most loving men I have ever known. I am privileged to have called him a friend."
"Nelson was an old-school gentleman with a voice as soft as his sleight-of-hand technique, noted among magicians not only for the gentle, unadorned manner of his performance, but also for the deliberate and distinctively unhurried pace of his work."