He builds illusions his own particular way, generally with full-scale constructions rather than computer simulations or miniature models. He emphasizes that real-world performance is vastly different than theory on paper or screen, and thus his old world skill set delivers the most modern of solutions for every conceivable variety of need and application. I literally cannot imagine the skills it requires to restore or recreate the automata that fuel Gaughan’s passion, but I am truly wondrous every time I see one of his performances with them.
While Vernon’s focus was on sleight-of-hand magic with playing cards and other small objects, his vision was such that it would eventually impact the entirety of performance magic, from its largest stage illusions down the smallest feat performed with a single coin.
...nine newly discovered vintage films, featuring six previous Take Two subjects, along with all the convenient links to the original essays plus the new Thornton footage, and a few comments from me here and there along the way to help guide you.
Canasta’s approach was startlingly original and so ahead of its time as to render him the subject of widespread criticism within the magic world by those who didn’t get it—and it would take another half century before they would. This didn’t have much of an impact on Canasta’s success...
When Bill Larsen wrote about him in a cover feature of Genii magazine in 1975, he began with this: “If my readers were asked to name the top ten close-up magicians in the world today, it is quite possible the at the name Jimmy Grippo would not be included. However, this same Jimmy Grippo probably comes close to heading the list (or possibly heads the list) but because he keeps a low profile, many magicians around the country do not know of him.”
"...in addition to being a great performer, Fantasio was an extraordinary and innovative inventor. His original effects with canes and candles, that appeared, disappeared, changed places and changed colors, became among the very best selling items for silent and manipulative stage acts, and influenced countless magicians who strove to follow in the maestro’s steps."
J.C. Wagner was a wonderful magician and a skilled and creative sleight-of-hand performer. Like most professional close-up performers, he was no household name, he wasn’t much known beyond the community of magic. But his life amounted to a stellar conjuring resumé ...
To say that Billy McComb was a beloved figure is a failure of language and imagination. Throughout the world of magic, on multiple continents, he was adored.
At the age of nine, he lost his right hand as the result of a car accident. Rather than dissuading him from his pursuit of magic, it may have served to motivate and elevate his passion...